Introducing Polin Sans: A Multiscript Typeface Inspired by Modernist Aesthetics

For years, the concept of Polin Sans percolated in my mind—a type family delving into the realm of modernist aesthetics, specifically drawing from the iconic Alphabet "a.r." by Władysław Strzemiński. Simultaneously, my fascination with the pre-war Warsaw's multiscript landscape added layers to this vision.

The Cyrillic alphabet's geometric variations became a focal point of my research. In a pivotal moment, I stumbled upon "Towards an open layout: A letter to Volodya Yefimov," sparking a revelation. Circular forms, often associated with the Bulgarian Cyrillic, seamlessly integrated into the classical version, enhancing readability.

My intrigue deepened as I explored the Hebrew typeface, jaffa, by Idźkowski & Sk-a foundry. Its semblance to the Hebrew equivalent of "a.r." was uncanny, serving as a catalyst for expansion. Ben Nathan, hailing from Israel, joined the endeavor, masterfully crafting his native script.

The scope broadened further to encompass Greek and Vietnamese scripts, solidifying Polin Sans as a multicultural journey through the corridors of Polish modernism. This collaborative effort, helmed by Mateusz Machalski and Ben Nathan, with the invaluable support of Michał Gorczyca and Małgorzata Bartosik, breathes life into the essence of diverse cultural backgrounds within the Polin Sans type family.

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